Running a dance or performance show is no small feat. Between sorting the venue, dates, landing on a theme, and wrangling costumes, there's already a mountain of decisions before you even think about rehearsals. But one question that trips up a lot of show organisers is this: do you go all in on one big night, or do you spread it across multiple shows over consecutive days?
It's not a one-size-fits-all answer, so let's break it down properly.
Here's a simple way to look at how costs stack up:
| Cost | 1 Show | 3 Shows |
| Costume purchase | Full cost | Same cost, but spread across more uses, so relatively cheaper per show |
| Venue hire | Single booking | Higher overall, but discounts are often available for consecutive days (free if you own your venue) |
| A/V hire | Single booking | Increases with each show |
| Staff/volunteers | Standard pay | Overtime may apply |
| Ticket revenue | One night of sales | Three nights of sales |
| Merchandise sales | One opportunity | Three opportunities |
There is no denying that putting on a show is expensive and time-consuming, so switching to three may not be on the cards for you, especially with some of the additional costs. But, with additional costs comes additional opportunities and revenue…
Before you make the call, here's the honest side-by-side:
| Benefits | Cons | |
| Revenue | More shows = more tickets sold and more merchandise opportunities (don’t forget it’s free to sell your tickets with Stage Stubs) | Higher upfront costs for venue, A/V, and potential staff overtime. But not for ticket sales when you sell with Stage Stubs |
| Performers | More stage time and experience for your students | Can be tiring or stressful, especially for younger children |
| Logistics | The second and third show run smoother once the first night's kinks are ironed out | More scheduling and coordination required |
| Audience | Families who can't make one date have alternatives | You need to fill every show. Empty seats across three nights can cost more than one sold-out show |
| Marketing | More visibility, more word-of-mouth, more chances to win new clients | More promotional effort is needed to sell tickets for multiple dates |
| Workload | Groundwork is largely the same whether you're doing one show or three | First night pressure is higher with more performances riding on it, going well |
Here's where the maths starts to tip in favour of multiple shows:
Here's something nobody talks about enough: by the time your second and third shows come around, you've already done the hard part.
The first night is where you iron out the kinks — the lighting cue that was a fraction too late, the mic that needed adjusting, the wing that got a bit crowded. But your second show? Smoother. Your third? Like clockwork. The groundwork is already laid, and all you're doing is reaping the reward of it.
The prep work, the planning, the rehearsals, the marketing, the logistics — that's largely the same whether you're doing one show or three. You're not tripling your workload by adding two more nights. You’re perfecting what you’ve already created.
This is the big question, and the honest answer is: you need to do a bit of homework first. No one can answer that for you; only you can. Here's what to consider:
1. Is there an audience for every show? If your venue holds 300 people and you're planning three shows, you need roughly 900 ticket sales to make it work. Do you have that reach? If you can't confidently fill the seats, you won't break even, and if you’re not breaking even, then you may not be ready to commit to multiple shows.
2. What does your enrolment look like vs. your venue capacity? If you have more students enrolled than you have seats in the house, one show physically can't accommodate every family in the audience. Adding a second or third show isn't just a revenue decision; it's a practical one that means every parent gets to see their child perform.
3. How do your students and their families feel about multiple performances? More shows can mean more pressure on your performers, especially the little ones. Some families will love the extra stage time; others might find it a strain, particularly for young children who tire quickly. It's worth gauging the appetite before you plan around it.
4. Is there genuine demand from your audience? Ask them! Your students, their parents, your existing community they’ll love to feel part of the decision making. A quick survey or even a casual ask at the end of term can tell you a huge amount about whether a multi-show format is something people actually want.
5. Can your ticketing handle it? On the practical side, if you're running multiple shows, you need a ticketing setup that can handle multiple events without becoming a logistical headache. Tools like Stagestubs let you sell tickets across all your events without any added cost — which means more flexibility for you and more options for your audience.
There's no universal right answer here, but there is a right answer for you — and it comes down to your numbers, your community, and your capacity. If the seats can be filled, the demand is there, and your team is up for it, multiple shows can transform a good event into a genuinely great one — and a costly night into a proper earner.
Do the homework first. Then back yourself.
Find out more about how you can use Stage Stubs to support the running of your event and multiple shows, with our range of resources:
Create your event and start selling your tickets in minutes. (Interested? See how Stage Stubs compares to TicketSource, or Eventbrite, and Trybooking.)
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