Madame Giry

Madame Giry is the ballet mistress of the Paris Opera. She knows the Phantom's secrets and serves as the go-between for his demands. She is strict with her students, protective of her daughter Meg, and the only person in the opera house who truly understands the danger below.

Personality for Dance

Madame Giry moves with rigid precision. Her posture is impeccable, her gestures are sharp and controlled. She counts beats, corrects positions, and maintains order. But there is something unsettled beneath the surface. She knows things the others do not, and that knowledge shows in furtive glances, whispered warnings, and moments where her composure cracks. She is not cruel, just guarded.

The Outfit

Top

A high-necked black blouse or bodice. Long sleeves, buttoned to the chin. Everything is covered, proper, and severe. A cameo brooch at the collar adds period detail.

Bottom

A long black skirt that reaches the floor. Slim cut, not full. She does not take up extra space. A bustle or slight structure at the back suits the period.

Accessories

A cane or walking stick she uses to tap out rhythms and correct students. A ring of keys at her waist. A small notebook or schedule she consults. These props define her authority.

Shoes

Black lace-up boots or low character shoes. Practical, quiet footwear. She appears and disappears without making noise.

Hair

Pulled back tightly into a low bun. Not a hair out of place. Gray streaks if appropriate for the dancer. The severity of the hairstyle matches the character.

Special Details

The cane is her signature prop. She taps it on the floor for attention, points it at lazy students, and rests both hands on it when watching rehearsals. It should feel like a natural extension of her arm.

Movement Tips

Stand still more than anyone else on stage. Madame Giry watches. She observes. Her stillness commands attention.
Use the cane to direct others. Point it, tap it, rest on it. The cane does half the acting.
When delivering the Phantom's messages, her voice and body should change slightly. More urgent, more afraid.
In ballet rehearsal scenes, demonstrate positions with sharp precision. She was once a dancer and it still shows.

Age Recommendations

Best for ages 14 and up. Madame Giry suits a dancer with strong stage presence who can command a scene without big movement. Ballet training is helpful for the rehearsal scenes. The role also works beautifully for adult dancers or teachers performing alongside their students.